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Barefoot: 'Just A Tourist'
2001 (BFCD#1) |
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They waste no time at all in getting to the chorus of 'Taken In' but by then you already know you're going to like them anyway. Between choruses the vocals reflect a certain amount of vulnerability that fits perfectly with the lyrical content. The slower, stripped down sound of 'Cold' has, in contrast, the occasional emphatic burst of angry vocals but they never get out of control and it shows that they don't just have to rely on the fast and the catchy to produce worthwhile songs. 'Half A Chance' begins with stripped down guitar and on the edge vocals and has an effective dual vocal part on the chorus. The slow, emotive intro to 'Stand Alone' makes you think this is going to be a lush ballad, but then the drums come crashing in and drive it onto a faster pace, yet it still retains a sweet sentiment and sound that tugs at the heart strings of even an old cynic like myself. This first release from Barefoot displays some quality pop punk songs with great catchy choruses that are both touching and rocking. |
| Zelda | |
| Barefoot Website | |
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Barefoot: 'Some Things Admitted'
2001 (BFCD#2) |
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This has all the good points of their first EP but with a more confident and fuller sound, the latter possibly due to the increased guitar level and proficiency. 'Back Over' is a fast song that's guitar driven but with much more than just power chords. The vocals are stronger and also more confident than before, yet still manage to deliver the emotional edge required of their songs. 'Deceive Me' is also much faster than their previous songs and is fuelled by the type of manic drumming more associated with former Beauty School Dropout drummer Andy. The song refuses to quit its pace or intensity throughout. In comparison there's the quiet intro to 'Different Town' that is more reminiscent of 'Stand Alone' or 'Cold', as it develops into a powerful and touching song. At just under 5 minutes long, they make full use of the time by gradually building up and slowing down until the powerful ending of the song. It's certainly good to hear that someone still believes in good, solid song writing. |
| Zelda | |
| Barefoot Website | |
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Barefoot: 'Only Souvenirs'
2003 Boss Tuneage Records |
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Two guitarists, a drummer and a tubby lead singer who's also the bassist. Another NOFX album, then? No, this is the first full-length release from the Glasgow/Alloa quartet and what a debut it is. Comprising mostly of their first two EPs (reviewed above) Just A Tourist and Some Things Admitted - "Half A Chance" is dropped and "Cold" renamed "Come Catch Me" - the Barefoot boys have added four new tracks to make this one of the best releases on the esteemed Boss Tuneage label this year.
The existing material benefits from the higher production values employed in this recording and the extra guitar - noticeably absent from the EPs - also helps beef up the sound, allowing the lead guitar to explore solos and melodic touches without the songs losing any muscle. Of the newer songs, "Punch Your Weight" is the stand-out for me. The frenzied, crunching intro subsides into one of the most luscious pop-punk songs I've heard this year as it gradually builds from a good but unremarkable beginning into a sunbright chorus with sweet backing vocals and an irresistible guitar riff; simply perfect. However, "No Vision" is also excellent from its wistful, melancholy opening bars to its rockin', sing-along chorus. The other new tracks are "Stop" (great cymbal-heavy intro) and "Ten Past Broken" (impressive vocal). In all, this is a great album which displays first-class musicianship, powerful and harmonious vocal performances and, above all, well-crafted songs that for the most part naturally evolve over the course of 3 to 4 minutes rather than following the tried and tested verse-chorus-verse-chorus, repeat to fade formula. With contributions made, either in a song-writing or playing capacity, by former or current members of various Scottish punk bands such as Beauty School Dropout, The Day I Snapped, Happy But Twisted, the Ritalins and Tempting Kate, this album is something of a Who's Who? (or, more aptly, a Who's That?) of the Scottish punk scene. Intelligent pop-punk for intelligent pop-punkers. |
| Graeme MacLennan | |
| Barefoot Website | |
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